The Children's Writing Update 

edited by Jon Bard

Jon

 

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http://twitter.com/write4kids_com

 

 

1.     Write4Kids TV is Live - And We're Kicking Things Off in Grand Style!

 

.Write4Kids! TV

..

It's time to reveal our super-secret project:  Write4Kids! TV.   It's a web video channel devoted exclusively to writing children's books, and will feature video interviews with authors, editors and publishing visionaries.  It's completely free and is certain to become must-viewing for anyone interested in creating children's books.

Right now, the very first episode is up, and it's a doozy. Join me for an exclusive chat with Karen Robertson, author of Treasure Kai and the Lost Gold of Shark Island and creator of an amazing eBook called Author's Guide to Book Apps.

Karen has a great story:  about a year ago, she decided to create an iPad app for her book.  She's a self-described "total non-techie", but she taught herself how to do everything.  Her journey turned out to be more fun and less expensive than she imagined.  Now she's become an evangelist for children's book writers to create and sell their own apps and, to prove that absolutely anyone can do it, she's created a step-by-step roadmap that shows exactly how to make it happen (and she's teamed up with us to offer it at a special price).

Apps are super-hot right now and can offer exposure and, yes, profit for writers, whether they've been previously published or not. 

In our chat, Karen shares exactly what apps are and how they're sold.  It's a meaty conversation that will leave you feeling confident that, in fact, you can do it.



Write4Kids! TV



Go check out the show at http://Write4Kids.tv



Karen has a free report about creating apps at http://bit.ly/apps4kids



One more thing:  Karen has kindly written an article exclusively for Updaters.  Scroll down to item #7 to read Why Book Apps are a Huge Opportunity for Kid’s Writers... and How You can Create one Even if You Don’t Have a “Technical” Bone in your Body!


 



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2.   Less Than 2 Weeks Away!  Children's Authors' Bootcamp is Coming to The Bay Area

 

Bay Area Bootcamp

 

Spend an exciting spring weekend by the Bay while learning exactly what you need to make it big as a children's writer.


Children's Authors' Bootcamp is a children's writing weekend you'll never forget --  a step-by-step journey to children's writing success that's fun, fast-paced and packed with advice you'll never hear anywhere else!


Children's Authors' Bootcamp

Join Laura Backes, Publisher of Children's Book Insider, and Linda Arms White, Christopher Award-winning author of Too Many Pumpkins, Comes a Wind and many other great children's books, for the ultimate children's writing workshop:


July 9 and 10 at the Holiday Inn Express Airport, Oakland, CA

Slots Still Remain -- But Time Is Running Out!


CAB features two full exciting days of world-class instruction and exercises on writing fiction for children of all ages, with emphasis on character and plot development, dialogue, descriptive writing, point of view, writing strong beginnings, editing your own work and submitting manuscripts to publishers. If your dream of writing children's books needs a shot of adrenaline, this is the place to get it.


Because it's a step-by-step program, CAB is great for beginners! No previous experience is needed to benefit from this workshop, and you'll leave on Sunday with everything you need to know to write your masterpiece!

 

The Bootcamp changed my life. Linda and Laura are spectacular. They took me from a "wanna be..." to a bona fide children's book illustrator and author, working under major publishers. I still use the literature and information from the Bootcamp on a weekly basis. My writer's bookshelf would not be complete without the notes and books from their program. Laura and Linda continue to be amazingly supportive of my efforts. I count them as two of my most powerful colleagues in the business. It's simple - Bootcamp works. I'm proud to be one of their students, and their friend.

 


J.H. Everett, co-author and illustrator of the series "Haunted Histories" from Henry Holt. 


For a complete class outline and registration information (including information on booking hotel rooms), see WeMakeWriters.com, or contact Linda White at (303) 747-1014, or CABootcamp@msn.com.


Reserve Your Spot Now!


Visit WeMakeWriters.com for all the details.


 

3.  Here's an Idea to Borrow:  Let  Your Readers Create Their Own Books

 

 

I've been harping on the notion that the book industry is going through exactly what the music industry did 10 years ago. The good news there is that we can avoid their mistakes.

The even better news is that we can borrow some ideas from music's more inventive artists about how to deal with the new digital reality.

Here's one I really like:

http://lefsetz.com/wordpress/index.php/archives/2011/06/03/from-ricky-wilson-of-the-kaiser-chiefs/

Basically, the band recorded 20 tracks and lets fans create their own CD -- and their own unique artwork -- by picking their favorite 10 songs. Neat idea, and something that can be copied by authors with either short story anthologies or "create your own adventure" stories.

Read the piece -- it's well worth your time.  And then, visit the band's website to fiddle around with the technology -- it's really, really cool and would fit wonderfully on an author's site.


 

4.  Come Hang With the Fightin' Bookworms -- and Get Our Entire Step-by-Step Writing Course Free!  

 

 

The CBI Clubhouse Fightin' Bookworms

 

The CBI Clubhouse is rocking!  We've got lots of new members who are meeting one another on the message boards, plenty of new videos and audios, our free children's writing course (The CBI Challenge), exclusive publishing opportunities just for our members and much more.  


And all of it is free for paid subscribers to Children's Book Insider, the Newsletter for Children's Writers!

 


Here's what Fightin' Bookworm Irene Roth has to say:

Before I joined the CBI Clubhouse, I was completely lost as a freelance writer. I knew that I wanted to write for kids, but I didn't have the first idea about what I should do to achieve this.

I sent out a few articles to magazines, and they all got rejected. This went on for two years. I was devastated and ready to give up! Then I was talking to a friend of mine who suggested that I check out the CBI Clubhouse.  I did. And I have never felt better in my whole life as a freelance writer.

There are weekly instructional videos by Jon Bard on different aspects of the writing process. These are invaluable. There are also videos by Laura Backes.  She has become my personal mentor. I listen to her videos every few days. Some videos I listen to over and over again.

Then there is the CBI Challenge. It is absolutely chock full of information on finding your passion in writing to the nuts and bolts of publishing. I am on Module #2 and I have learned more than I could have ever imagined.

Lastly, if you have any questions or concerns, you can email either Jon or Laura at any time. They are also willing to help and are encouraging. Finally, I don't feel so alone as a writer!

So what are you waiting for?  Join the CBI Clubhouse for a small, small fee every month. Skip one latte and you have your monthly membership which will give you a lot more value that your latte.


Join The CBI Clubhouse now (for less than the cost of a latte each month) and you'll get:


  • a fresh issue of Children's Book Insider, The Newsletter for Children's Writers
  • audio interviews with top authors
  • video tutorials about every aspect of writing and submitting children's books to publishers
  • a slew of exclusive articles
  • free ebooks
  • message boards and chatrooms 
  • The Complete CBI Challenge -- our exclusive step-by-step children's writing course!

...and much, much more!

 

All 20 modules of the CBI Challenge are online, and waiting for you to explore, learn and master:

MODULE 1: Finding Your Passion as a Children's Writer
MODULE 2: Developing Your Story Idea
MODULE 3: Making Time to Write
MODULE 4: Laying the Foundation for Your Main Character & Plot
MODULE 5: Building Your Protagonist
MODULE 6: Creating Your Antagonist
MODULE 7: Ignite Your Plot with a Catalyst
MODULE 8: Perfect Your Pacing
MODULE 9: Build a Strong Middle
MODULE 10: Create a Strong Subplot
MODULE 11: Crafting a Powerful Ending
MODULE 12: How to "Show, Don't Tell"
MODULE 13: Working with Point of View
MODULE 14: Build a Writing Lifestyle
MODULE 15: Sharpen Your Strengths
MODULE 16: Get Feedback On Your Work
MODULE 17: Get Ready to Submit!
MODULE 18: Assembling the Perfect Submissions Packet
MODULE 19: Sail Past Rejection
MODULE 20: Master the Art of Promotion

 
If you're at all serious about writing children's books and getting them published, you really need to hop on board with the Fightin' Bookworms of The CBI Clubhouse.  All the education and inspiration you need to make it is waiting for you for just pennies a day.  Plus, we have lots of fun while we're at it.

Here's the link to the Clubhouse!


http://cbiclubhouse.com

 

See you 'round the Clubhouse, future Fightin' Bookworm!


 

5. What's in July's Children's Book Insider?  


Children's Book Insider

If you're new to the Update, you may not know that we publish a monthly subscription-only newsletter for aspiring and working children's book writers that's jam-packed with market leads, advice, inside info and much more.

It's called Children's Book Insider, and we've been sharing it with subscribers across the globe since May, 1990! (And remember, every subscriber to Children's Book Insider gets total access to the incredible CBI Clubhouse website AND The CBI Challenge step-by-step children's writing course!)

 Here's a sneak preview of what's in the next issue of Children's Book Insider, the Newsletter for Children's Writers:



  Two literary agencies seeking new clients
  New Residency and Group Workshops Offered from Published Author/Illustrator
  Authors, Illustrators Needed to Present Work at Major Event
  Religious Publisher Seeks Manuscripts
  Publisher Seeks Books for Young Readers

 How to Organize and Pitch Your Nonfiction Book
Before You Submit, Use this Self-Editing Checklist
Ordinary Doesn't Get Published. Here's How Not to Be Ordinary!
Mastering Internal Dialogue
The Art of Creating a Short Story



If you enjoy the information offered in this e-mail update, wait 'til you see what we've got in store for you each month in the pages of CBI! 


A subscription to CBI and full access to the CBI Clubhouse and CBI Challenge costs about the same each month as a latte! 

 


 

For more information and to order, go to http://cbiclubhouse.com/non-members


"If you are "thinking" about subscribing, DON'T!!! Just do it. I waited for almost 2 years before I did, now I'm wondering why I waited so long"  Frederick Claus 

"I won a subscription to CBI at a conference few years ago. I've been renewing ever since -- 450 magazine and 4 book credits later! Thanks for the best information published. I rely on your newsletter!" Lorri Cardwell-Casey

"I knew if I was going to keep getting published I'd need some help so I did some research and discovered your newsletter. It seemed made to order so I ordered it! Five books and over thirty-five articles later, I'm still subscribing and finding Children's Book Insider as useful and inspiring as ever. " Lynne Stover

"
If you're not sure whether joining CBI is the right move, consider this: I got a book contract from a lead on the first page of my very first issue of CBI! How's that for results? Marci Mathers


http://cbiclubhouse.com/non-members


 

6.  Writing Picture Books 101

  

Many newcomers believe it's simple to write picture books, but it actually requires a lot of skill to pack a story into a few words. If your dreams include writing a picture book, here are some tips to consider before you begin:

 

  • Keep it simple. You should be able to sum up the plot of your picture book in three sentences. Not every detail, of course, but the broad strokes. Create one sentences to capture the beginning (naming your main character and the problem or conflict he’ll face in the story), one for the middle (describing the gist of the efforts your character makes to solve his problem), and one for the end (how he finally resolves the conflict and reaches his goal). If three sentences doesn’t capture the essence of your plot, then it’s probably too complex for a picture book.

Note: You’re concerned here on plot (the action of the story), rather than theme (the underlying message). Don’t get into describing theme while you’re summarizing your plot. The theme shouldn’t even be an issue at this point. You want to construct the story so the character’s actions, and how he transforms because of those actions, presents a lesson to your readers.

 

  • Think in pictures. The term “picture books” says it all: the illustrations are equally as important as the words. The average picture book is 32 pages long, with about four pages of front matter (title page, copyright page, etc.) So you have 28 pages of text and illustration. If you aim for 1000 words to tell your story (the average length of picture book text), that gives you about 36 words per page (some pages will have more words, some less, depending on the pacing of your story). While you don’t want to obsess over precise word counts when you’re writing early drafts of your manuscript, do keep in mind that every page of your book needs to inspire a different illustration. So count out 36 words from your manuscript and note how large a chunk of text that is on the page. That’s about how many words you can devote to each illustration. After that, your characters have to do something— move around, change locations— so the illustrator will have a new picture to draw.

One way to think visually is to convey the character’s problem, and her efforts to solve that problem, in concrete, visual terms. If your character is having trouble memorizing facts for school, that all takes place inside her head. But if she’s embarrassed because she can’t swim, then her attempts to learn are easily illustrated.

Note: Some illustrations will span two facing pages, called a two-page spread. In this case, you’ll have about 70 words for that one illustration. But picture books are a mix of single page illustrations and two-page spreads, so keep the action moving at a good pace.

 

  • Maintain a childlike outlook. Picture book characters can be children, adults, animals or fantasy characters. But all main characters must embody the sensibilities of a child between the ages of 4-8. As a result, the problem your characters faces needs to be relevant and important to your target audience. The way your character tackles that problem must fit with the way a child would tackle it. Don’t create an adult main character just so you can impose some adult wisdom on your readers. Grown-up characters using the emotional, illogical and sometimes messy coping strategies of children can be a very effective, and funny, storytelling technique. Above all, the character must be the one to solve the problem, using methods that are accessible to children. If readers see themselves in your main character, then they’ll understand the underlying message of your story.



 

7.   Why Book Apps are a Huge Opportunity for Kid’s Writers...  and How You can Create one Even if You Don’t Have a “Technical” Bone in your Body!

by Karen Robertson, author of "Author's Guide to Book Apps"

 

Author's Guide to Book Apps by Karen Robertson

 

What if you could:

-Deliver your story to a global market quickly and easily
-With no inventory to manage
-While keeping your rights
-At a lower cost than printing a book
-And at a higher profit?

You can, by creating a book app.

So what’s a book app? Think of it as an “eBook on steroids.” It’s a book that runs on a mobile device like the iPad, iPhone and iPod Touch. (See video at www.treasurekai.com). This market is exploding in growth, and it needs good content.

I’m a children’s author who recently turned my book into an app. Here’s why…

It was June 2010 and I was just about to reprint a small quantity of my children’s book, at great cost, for a limited market, when I saw a book app on the iPad for the first time. I knew I’d just seen a way to take my passion for interactive reading to a whole new level, plus a way to reach a global market without the cost and hassles of inventory.

But not having a ‘technical’ bone in my body, I had no idea how to do it. I worked with a friend and together we found a developer and produced a book app that is now getting rave reviews.

As soon as I launched the app, other authors and writers started asking me how I did what I’ve done. After writing a few articles and speaking on the topic, I realized I had a lot to share with other writers. So I decided to write the book I wish I would have had before I’d gotten started. 

Here’s a brief Q&A for some of the more frequently asked questions I hear.

Q: Why the book app is the biggest opportunity writers have had in decades?

A: Because in the Apple market alone, there are nearly 200 million devices in market and the average number of apps downloaded per device is 60. The number of iPads sold in 2010 was 5x higher than analysts had predicted (nearly 15 million).

Q. Could my book be made into a book app?

A: If your book is illustrated and has the potential to be accompanied by music, be narrated and have interactive elements like little animations or touch-triggered sounds, then it is.

Q: How do I get an app developed?

A: You’ll need an app developer (think “programmer”). Luckily, there are now small companies popping up that specialize in creating book apps. Or you can source your own via networking or online freelance websites.

Q: What are the pitfalls to avoid?

A: You need to make sure you have a tight brief when you start working with your developer and you need to make sure you’ve negotiated updates to the app after it’s released, so that the app keeps working even as Apple updates its software and releases new devices over time.

I’ve been so excited about the results I’ve had so far.  I’ve…

-Sold book apps to people in over 20 countries in our first 3 months
-Produced an app in less than a third of the time it took to produce my book
-Have no limit to how many book apps I can sell
-I’ve kept my rights
-Production was far cheaper than my printed book
-And I keep 70% of the revenue from book app sales because Apple takes 30%.

If you’d like to know more, simply visit http://bit.ly/apps4kids to download a free report, “The Top 5 Things you MUST know before Creating a Book App for Kids” or check out my eBook, “Author’s Guide to Book Apps.”


 

 

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Copyright 2011, Children's Book Insider, LLC. All rights reserved. No part of this publication may be reproduced in whole, or in part, without the express written consent of the author. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. This information is provided with the understanding that the publisher is not engaged in rendering legal, accounting or any other professional service. If legal advice or other expert assistance is required, the service of a competent professional should be sought. Therefore, the Author and Publisher expressly disclaim any liability for the use of any information contained herein, and this publication is provided with this understanding and none other.

Additionally, Children's Book Insider, LLC is not responsible for the availability of external sites, offers or resources mentioned in advertising or in editorial content, and does not endorse and is not responsible or liable for any content, advertising, products, special offers or other materials on or available from such sites or resources. Children's Book Insider, LLC shall not be responsible or liable, directly or indirectly, for any damage or loss caused or alleged to be caused by or in connection with use of or reliance on any such content, goods or services available on such external sites, offers or resources.

We make every effort to verify the legitimacy of the publishers and magazines we include in our market listings. However, we assume no responsibility for any damage or loss caused or alleged to be caused by or in connection with readers' associations with such publishers. For information about investigating publishers before conducting business with them, see our special report "How to Tell If A New or Small Press is Legitimate" at http://write4kids.com/legit.html



June 30, 2011


Children's Writing
 Update


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We've Got Solutions to Aid Your Resolutions!

Need insider secrets and fresh markets for your manuscript? Check out Children's Book Insider, the Newsletter for Children's Writers + The CBI Clubhouse at http://cbiclubhouse.com/non-members


Just getting started and need a friendly, step-by-step guide to becoming a children's author? Check out Career Starter, The Beginner's Guide to Writing for Children at http://write4kids.com/starter.html


Want to have an incredible amount of "How To" wisdom right at your fingertips? 
The Children's Writer's Big Book of How To has the solution to more than 100 of the trickiest issues faced by children's authors. From coming up with great ideas right through signing the contract, this amazing volume is packed with insight. http://write4kids.com/bigbook.html


Have you written a story but don't know what to do next? I've Written a Story, What Do I Do Now? tells you what you need to know about submitting your manuscript to publishers efficiently and professionally.

http://write4kids.com/nowwhat.html


Tired of getting rejection letters? Improving The Odds reveals the manuscript-revision secrets of top authors that help push them over the top. http://write4kids.com/odds.html

 

And there's more. For a full listing, just go to http://write4kids.com/collect.html